Busy week

The day job continues unabated. I have the rest of the month to complete it then, who knows, I might have to get a new contract or this one may get extended.

Had a good conference with Chris the Director about our Steampunk project - all about promotion, marketing and the direction we're going with it. Plus talking about the first actual film project associated with it, Winter. A real business meeting - hardly talked creative at all.

I've been working on the back story of the characters in Winter in lots of loving detail - I came to the conclusion that I didn't know enough about them so they came out a bit flat, and the story did not come from them, they were merely fitting into the story.

This is where the big lie comes in: Story is Character. Which is quite true, of course, no doubt about it. But it's just as valid creating the characters to make the story, as the other way around.

Tomorrow the Daughter heads off to Bolivia for 6 weeks. Coincidentally a new talent agency has contacted her to see if she'd like representation (don't worry people, I have thoroughly checked them, they are kosher). When she returns from looking after dangerous animals she will meet with us at the Edinburgh Festival - my first time there, though the rest of the family has been before. I shall be using this trip as research for my script Running.

The TV Drama - Writer's Festival is taking place in Leeds on Wednesday and Thursday, and I shall be there along with many from the scribosphere. I've ordered new business cards which should arrive today - my only business cards were too "production" oriented as opposed to "writer" oriented.

I can only say good things about Vistaprint's business card service, their online design-your-card system is excellent, especially if you have a clue about design (and though I'm no designer, I do understand what I'm doing). And even if you don't it's still easy to use and hand-holds all the way through.

Being a smart-ass I put a QR-code on the back of the business card which links directly through to the scripts on the blog here. This one. (Where did I get it from? bit.ly - more on that another time.)

Also, on Thursday, it's the Boy's appearance in Bugsy Malone. As previously mentioned he doesn't have a big part but he's also playing saxophone in the band. And now has been given several solos - because he's cool. I've not previously mentioned but, when it comes to clothes, he's one of those people that has a natural knack for picking the right combinations and looks good in almost anything. (Jealous, moi?) In a 30s suit complete with trilby and a saxophone, he looks perfect - hopefully we'll have a picture.

Friday? Just work, catching up on the day job with the time I've lost.

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What's on the turntable? "And the Mouse Police never sleeps" by Jethro Tull from "Heavy Horses"

Bringing it into focus

On the writing front I am getting feedback on Running some of which is causing me pain, but in a good way.

I am in the process of talking to producers about a script or two and I have succeeded in getting onto the BBC's TV Drama - The Writers Festival in Leeds in July - on the very flimsiest of commission history, but I was completely honest. Which means if you have flimsy commissions you might be able to get on it as well.

I failed to get on Something for the Kids however, they are fully booked.

So this is all good writing stuff.

Oooh, what else? OMG - it happened to me, another writer wrote the pilot for a TV series that I was going to write - almost exactly the same premise as I had planned. The only difference was he made his setting rural where I would have made it urban. I've read it and it's jolly good.

After a quiet low-numbers period during the holiday my Shooting People profile numbers have shot up again, now at 145 views per week. But why does nobody actually contact me...?

In other news

The Daughter is still set fair for Bolivia in a couple of months - she'll be traveling along the most dangerous road in the world. Though maybe they'll use the alternative route. Then she'll be looking after the big cats (and other endangered species - but mostly the big cats - and snakes - and big moggies). She likes dangerous things.

I mentioned almost exactly two years ago that the Boy would be appearing as Fat Sam in a school production  of Bugsy Malone. Well that production is finally happening but there're problems: the Boy got a lot taller - and it was decided that the production would only involve the drama students at the school. Which the Boy isn't.

But he is a saxophonist. So he's in the band instead - a band composed mostly of teachers. He gets all the solos, and his adjustments to the supplied have been greeted with approval.

And then they lost Laughing Boy from Dandy Dan's mob. And the Boy got cast, so now has to run from stage to pit and back through the production. Which is slightly problematic as the saxophone reed dries between times. Such are the trials of success.

The Teacher continues to teach, and has applied for a Deputy Head position.

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What's on the turntable? "A Passion Play (part 2)" by Jethro Tull from "A Passion Play" - specifically "The Hare who had lost his Spectacles"

So ... Bolivia?

What? Bolivia? No. I mean, in a minute.

First things first. Writing. Oh yes.

The talented Bill Martell has a great screen tip, which was recently re-aired, about the Antagonist. He makes the point that there's loads written on the journey of your Protagonist, but very little about the Antagonist.

Which is odd because the Antagonist is the most important character in the story. Without the Antagonist there is no story. It's obvious, so obvious it's not regarded as important. But it is.

Case in point, as you know I've been re-writing Running and it's been going a bit slowly. So I've been yanking tools out of the writers toolbox and trying them for size. They've been handy, given me some ideas and so on, but nothing's really solved the problem.

Until this script tip of Bill's popped up again and I realised that this tool had lying buried at the bottom of the toolkit  under a layer of old sandpaper and blunt blades.

The story's Antagonist wasn't clearly delineated: Why was she doing what she was doing? What is her ultimate goal? I had got some of it but there was no real plan. So I sat down and had a good think - train journeys are good for sitting down and thinking - and I got it. I know what she's doing and why she's doing it. And as soon as I did that the whole story fell into my lap. (Yes, the Antagonist is female, so is the Protagonist, I might make Detective Sergeant female too, that would balance it out.)

I should probably mention that one of Jeff Kitchen's tools implies the importance of the Antagonist's actions but doesn't emphasise it as much as Bill does.

So that was good. It meant I had to change the beginning of the story, which was a shame because I liked the opening, but that's the way it goes. Sometimes you have to kill your babies.

Bolivia? Not yet.

I've started another blog but I'm guessing most people who read this one won't be interested in that one, it's a technical blog about Drupal 7 for people who know what they're doing.

Bolivia!

My daughter is going to Bolivia as a volunteer to work with the animals, to help with her own Zoo Biology degree. She needs donations so it would be really good if you (yes you! Noo not the person beside you, well that person too, but YOU) make it easier for her to get there.

She's got herself a part-time job, while studying at University. She's taken up running so she's fit enough when she gets there. And the person who contributes the most will get a Jaguar cub as a prize. (What? No jaguar cub?) Alright, well everybody who contributes can pat themselves on the back.

How do you do that? You go here or here.

She's got a way to go to collect everything she needs - and everything helps. Do something else good today.

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What's on the turntable? "Flowers never bend with the rainfall" by Simon & Garfunkel (I've lost my harmonica, Albert.) 

Procrastination station

I'm on a train heading back to London to begin a new web development contract, having got my head screwed on straight during my Birmingham getaway.

There are two main types of contract job in my field: one where you are embedded in the company you're working for (as I was at NBC); or working for the client of an agency, as I am this time.

This job is much easier to get to than the previous one - no train changes required, going to and from, plus the station is quite close to the agency. Much more convenient.

To be honest I'm procrastinating. I've been working on Running for the past hour and a half, and have hit a logical but awkward scene. Not quite sure how it will reach the resolution it needs to reach yet, so I need to think about it a bit. The script is progressing nicely however.

I saw The Green Hornet today. Quite entertaining in general, though not a "great" film. However there was one aspect which had me in writer-gasms (hm, might not use that term again) when it came to the film's Inciting Incident. You might think that in a comedy action movie the Inciting Incident might be something huge, at least very funny or even action-y.

But it isn't, it is a tiny thing which is set-up very well and fits the main character perfectly. Quality writing, but given the main character's complete lack of caring for others, it had to be something that would reach and move him.

I also watched Jonah Hex. Even disregarding the terrible liberties they took with the story and the character, this is a poorly written film. A shame.

I also need you to start thinking about Bolivia.

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What's on the turntable? "Money for Nothing" by Dire Straits from "Brothers in Arms"