It's too long. Four days is just too long but then if it hadn't been four days perhaps certain things wouldn't have happened...
I made no notes today. None. Nada. Zilch.
Not exactly because no one said anything interesting, more because the first session was about "Classic" Dr Who, the second session was New Who, the third session was the second part of Phil Parker's "Dynamic Universes" and nothing new was said.
The evening was Stephen Moffat talking about being in charge of Dr Who.
Much was said but nothing of major significance. But things happened on a more personal level.
I had my meeting with the "important development person from Kudos". It was a very good meeting, she loved Monsters, the whole world creation thing that I do automatically and really without a lot of thought (things are like "obvious" you know?) well apparently this is a rare skill. I know at least half a dozen other people who do universe creation without batting an eyelid - is it really that rare?
The detail was the thing that impressed her (apparently).
So will I be writing for Spooks, Hustle or MI High? Not in the near future. Why? Because I have written series and not serial. Neither Monsters nor Air demonstrate the ability to write story-of-the-week so she cannot judge whether I can pace something like that correctly. So can I submit a script that does? I asked.
Kudos have a strict "no representation = no sendee scriptee" so even that personal contact with a script that demonstrates an ability to write well is not enough. They're a tough audience.
Curiously she seemed surprised that I had no representation when Monsters was such a brilliant demonstration of writing skill (ahem). I said "catch 22": can't get an agent without a credit ... can't get a credit without an agent. She didn't think that was really true, and we parted on reasonable terms - though it felt a little "awkward".
Later I spoke to Jon Peacey who had seen two (or was it three) agents as part of his speed dating, and every single one of them told him they wouldn't consider anyone unless they had a credit. (Jon had a better time later with producers.)
Hm. I think I believe the horse's mouth.
This next bit takes some explaining: Among the "Classic" Who line-up was Bob Baker who (among other things) invented K9 and, it was mentioned, wrote the incredible kids TV series Sky, back in the 70s. I have mentioned Sky before, it was weird and it was scary and apparently called "Kafka for kids" - but I hadn't known Bob wrote it. And there he was.
During one of the informal "Scriptbites" I had a word with him and told him what an influence it had had on me. And that my script Air was inspired by Sky (the name similarity is not a coincidence).
Anyway the Daughter had agreed to spread my business card among the guest speakers she came into contact with (she's a good girl). It just so happened that Bob was presenting a session about his new "K9 and Friends" series - in the venue the Daughter was responsible for. Not many people were there and it was very informal and chatty - and it turned out that they were looking for British writers for the series. So she got an email address for me to contact them.
When she told me, I grabbed one of the computers in the Internet cafe and popped an email over to them asking if they had guidelines for story idea submissions, and attached the one appropriate script I had been carrying around on a memory stick: Air.
Serendipity is cool.
After Stephen Moffat's presentation we went to the wrap party and chatted, then I returned to the hotel and here I am.
I'm going to bed.
What's on the turntable? "Show Biz Kids" by Steely Dan from "Countdown to Ecstasy"